|
Étienne-Jules Marey (; 5 March 1830, Beaune, Côte-d'Or – 15 May 1904, Paris) was a French scientist, physiologist and chronophotographer. His work was significant in the development of cardiology, physical instrumentation, aviation, cinematography and the science of laboratory photography. He is widely considered to be a pioneer of photography and an influential pioneer of the history of cinema. He was also a pioneer in establishing a variety of graphical techniques for the display and interpretation of quantitative data from physiological measurement. ==Biography== Marey started by studying blood circulation in the human body. Then he shifted to analyzing heart beats, respiration, muscles (myography), and movement of the body. To aid his studies he developed many instruments for precise measurements. For example, in 1859, in collaboration with the physiologist Auguste Chauveau and the watch manufacturer Breguet, he developed a wearable ''Sphygmograph'' to measure the pulse. This sphygmograph was an improvement on an earlier and more cumbersome design by the German physiologist Karl von Vierordt.〔Braun, Marta, 1992, ''Picturing Time: The Work of Etienne-Jules Marey'', University of Chicago Press, Chicago〕 In 1869 Marey constructed a very delicate artificial insect to show how an insect flies and to demonstrate the figure-8 shape it produced during movement of its wings. Then he became fascinated by movements of air and started to study bigger flying animals, like birds. He adopted and further developed ''animated photography'' into a separate field of chronophotography in the 1880s. His revolutionary idea was to record several phases of movement on one photographic surface. In 1890 he published a substantial volume entitled ''Le Vol des Oiseaux'' (''The Flight of Birds''), richly illustrated with photographs, drawings, and diagrams. He also created stunningly precise sculptures of various flying birds. Marey studied other animals too. He published ''La Machine animale'' in 1873 (translated as "Animal Mechanism"). The English photographer Eadweard Muybridge carried out his "Photographic Investigation" in Palo Alto, California, to prove that Marey was right when he wrote that a galloping horse for a brief moment had all four hooves off the ground. Muybridge published his photos in 1879 and received some public attention. Marey hoped to merge anatomy and physiology. To better understand his chronophotographic images, he compared them with images of the anatomy, skeleton, joints, and muscles of the same species. Marey produced a series of drawings showing a horse trotting and galloping, first in the flesh and then as a skeleton. The presence and activity of Marey in Naples is well documented,〔(IT) (Étienne-Jules Marey nell’Archivio Storico della Stazione Zoologica Anton Dohrn di Napoli )〕 in particular thanks to the documentation preserved in the historical archive of the Stazione Zoologica Anton Dohrn. Marey began to travel to Naples presumably because of his relation with madame Vilbort, wife of Joseph Vilbort, the director of the French journal ''Le Globe''. Madame Vilbort moved to Naples to cure her illness, thanks to the warm climate, and Marey followed her. Marey and madame Volbort bought villa Maria in Posillipo in 1880. Maray accomplished in Naples part of his studies aimed at the realization of his pre-cinematographic tools and in the Dohrn zoological station studied the movement of fishes hosted in the aquarium's tanks. In a letter dated November 1 1876 Marey requested the Stazione Zoologica to provide live ray fishes for his studies. Among the documentation that witnesses the collaboration of Marey with Anton Dohrn is the archive at the zoological station which preserves photos where the two appear together during an excursion and show Marey on board Dohrn's boat. The usage of the chronophotographic gun, which Marey used to aim at birds, but without shooting, appeared unusual to local people who referred to Maray sometimes as the "silly from Posillipo" ("lo scemo di Posillipo").〔(IT) Laurent Mannoni, ''La grande arte della luce e dell'ombra. Archeologia del cinema'', Lindau 1994-2007, ISBN 978-88-71-80-684-6, (IT) Virgilio Tosi Il cinema prima del cinema, Il castoro, 2007, ISBN 978-88-80-33-393-7〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Étienne-Jules Marey」の詳細全文を読む スポンサード リンク
|